Plow to the End of the Row
Download links and information about Plow to the End of the Row by Adrienne Young. This album was released in 2004 and it belongs to Folk Rock, World Music, Country, Alternative Country, Songwriter/Lyricist genres. It contains 14 tracks with total duration of 48:47 minutes.
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Artist: | Adrienne Young |
Release date: | 2004 |
Genre: | Folk Rock, World Music, Country, Alternative Country, Songwriter/Lyricist |
Tracks: | 14 |
Duration: | 48:47 |
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Tracks
[Edit]No. | Title | Length |
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1. | Plow to the End of the Row | 3:16 |
2. | Leather Britches | 2:38 |
3. | Home Remedy | 3:40 |
4. | Sadie's Song | 3:59 |
5. | Nipper's Corner | 4:22 |
6. | I Cannot Justify | 3:25 |
7. | Conestoga | 4:16 |
8. | Poison | 4:42 |
9. | Her Eyes Were Watching God | 3:40 |
10. | Blinded By Stars | 4:00 |
11. | Soldier's Joy | 2:32 |
12. | Marching Jaybird | 1:56 |
13. | Lonesome Road Blues | 4:03 |
14. | Satan, Yer Kingdom Must Come Down | 2:18 |
Details
[Edit]Adrienne Young & Little Sadie recall Alison Kraus & Union Station in their combination of traditional country and bluegrass sounds with more contemporary tunes, topped by an expressive female singer. The band — guitarist Tyler Grant, fiddler/mandolin player Clayton Campbell, acoustic bassist Amanda Kowalski, and percussionist Steven Sandifer — backs Young, who plays guitar and banjo in addition to singing lead vocals on country hoedowns like "Leather Britches"; primitive-sounding recording techniques are even employed on occasion ("Satan, Yer Kingdom Must Come Down") to make the music sound like it comes from long in the past. But, having established its old-timey bona fides, the group proceeds to update things on country-pop songs like "Home Remedy," a duet between Young and Grant that speaks of love in racy modern terms (with "a healthy dose of lust"), and "Poison," which suggests the bandmembers may have U2 in their record collections and which might intrigue country radio programmers. This, then, is a band that covers a lot of bases, which may make it a good match for a younger country audience drawn to traditional music by O Brother, Where Art Thou? but also open to a hybrid approach.