Plays Fats Waller (feat. Eugene Chadbourne)
Download links and information about Plays Fats Waller (feat. Eugene Chadbourne) by Aki Takase. This album was released in 2006 and it belongs to Jazz genres. It contains 15 tracks with total duration of 49:21 minutes.
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Artist: | Aki Takase |
Release date: | 2006 |
Genre: | Jazz |
Tracks: | 15 |
Duration: | 49:21 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Lookin' Good, But Feelin Bad | 2:49 |
2. | Vipers Drag | 6:45 |
3. | Ain't Misbehavin | 4:50 |
4. | Handful of Keys | 4:45 |
5. | Any Tune, But Fats Tune | 4:42 |
6. | Your Feet's Too Big | 2:07 |
7. | Intermezzo 1 | 2:03 |
8. | Do You Know What It Means to Miss New Orleans | 3:32 |
9. | Intermezzo 2 | 1:03 |
10. | Hold Tight | 2:09 |
11. | Kuroneko Yamato | 3:00 |
12. | Intermezzo 3 | 0:53 |
13. | I Got the Feelin I'm Falling | 2:14 |
14. | Tintenfisch in Wien | 4:05 |
15. | Kauf dir einen bunten Luftballon | 4:24 |
Details
[Edit]What the world does not need is yet another slavish tribute to the great Fats Waller, one in which his original arrangements are re-created and his personal style respectfully reproduced. Aki Takase, being the slightly slantwise genius that she is, conceived of something very different for this project: a tribute album that would incorporate some of Waller's compositions alongside pieces by other New Orleans composers and original pieces by Takase herself — some of which would allude slyly to the great man's sound, and others which would bring a completely different flavor to the mix. Her helpers include bass clarinetist Rudi Mahall, trombonist Nils Wogram, and the even more slantwise genius Eugene Chadbourne, who contributes vocals, banjo, and guitar. Familiar tunes like "Viper Rag" and "Handful of Keys" are given slightly twisted but delightful arrangements, and other period pieces like "Do You Know What It Means to Miss New Orleans" rub shoulders with Takase's own numbered intermezzi, which are often contemplative and harmonically spiky. The vocals tend to be a bit goofy, and some of the arrangements start out with long sections of skronky, atonal group improvisation. But the whole album hangs together surprisingly well and serves its purpose admirably: it celebrates the spirit of Waller's music without aping it thoughtlessly.