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The Arthur Fileder Legacy - From Fabulous Broadway to Hollywood's Reel Thing

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Download links and information about The Arthur Fileder Legacy - From Fabulous Broadway to Hollywood's Reel Thing by Arthur Fiedler. This album was released in 2007 and it belongs to Theatre/Soundtrack genres. It contains 30 tracks with total duration of 02:30:39 minutes.

Artist: Arthur Fiedler
Release date: 2007
Genre: Theatre/Soundtrack
Tracks: 30
Duration: 02:30:39
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Tracks

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No. Title Length
1. The Fantasticks Medley (featuring Arthur Fiedler And The Boston Pops) 9:26
2. Knickerbocker Holiday (featuring Arthur Fiedler And The Boston Pops) 3:48
3. Night and Day (featuring Arthur Fiedler And The Boston Pops) 3:54
4. State Fair: It Might As Well Be Spring (featuring Arthur Fiedler And The Boston Pops) 2:52
5. Mary Poppins (featuring Arthur Fiedler And The Boston Pops) 9:14
6. Fiddler On the Roof (featuring Arthur Fiedler And The Boston Pops) 10:36
7. The Man of la Mancha (featuring Arthur Fiedler And The Boston Pops) 8:58
8. Company (featuring Arthur Fiedler And The Boston Pops) 8:11
9. Hair (featuring Arthur Fiedler And The Boston Pops) 13:40
10. Day By Day (featuring Arthur Fiedler And The Boston Pops) 2:59
11. Sugar: Doin' It for Sugar (featuring Arthur Fiedler And The Boston Pops) 2:26
12. Midnight Cowboy Theme (featuring Arthur Fiedler And The Boston Pops) 3:27
13. Raindrops Keep Falling On My Head (featuring Arthur Fiedler And The Boston Pops) 3:10
14. Alfie Theme (featuring Arthur Fiedler And The Boston Pops) 4:56
15. Portnoy's Complaint Theme (featuring Arthur Fiedler And The Boston Pops) 2:53
16. Summer of '42 (The Summer Knows) (featuring Arthur Fiedler And The Boston Pops) 3:52
17. The Garden of the Finzi-Contini's: Micol's Theme (featuring Arthur Fiedler And The Boston Pops, Reuben Green) 5:14
18. Could You Put Your Light On, Please? (featuring The Boston Pops Orchestra, Fred Buda, Paul Fried) 4:59
19. Lovers and Other Strangers: For All We Know (featuring Arthur Fiedler And The Boston Pops) 2:52
20. The Godfather: Love Theme (featuring Arthur Fiedler And The Boston Pops, Robert Karol) 3:03
21. Love Theme (Romeo and Juliet) (featuring Arthur Fiedler And The Boston Pops) 4:12
22. Days of Wine and Roses (featuring Arthur Fiedler And The Boston Pops) 3:32
23. Robin Hood Medley (featuring Arthur Fiedler And The Boston Pops) 6:18
24. Happiest Millionaire Medley (featuring Arthur Fiedler And The Boston Pops) 4:56
25. El Condor Pasa (featuring Arthur Fiedler And The Boston Pops) 3:13
26. Mrs. Robinson (featuring Arthur Fiedler And The Boston Pops) 3:30
27. Evergreen (featuring Arthur Fiedler And The Boston Pops) 4:15
28. A Little Night Music: Send In the Clowns (featuring Arthur Fiedler And The Boston Pops) 4:35
29. Jaws Theme (featuring Arthur Fiedler And The Boston Pops) 1:54
30. Star Wars (featuring Arthur Fiedler And The Boston Pops) 3:44

Details

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Arthur Fiedler spent the last decade of his career with the Boston Pops signed to Deutsche Grammophon, resulting in some of the best-sounding records of his career. Much of that output was more on the "pops" than the classical side of his repertory, and this CD assembles the highlights of his theater music recordings. The sound glistens throughout, in what can only be called audiophile-quality splendor — the Deutsche Grammophon masters have held up beautifully and have been elegantly digitized for this double-CD set. As to the music itself, how one receives Disc One will depend upon the listener's tolerance for medleys from Broadway and off-Broadway shows (and Disney movies) of the period (The Fantasticks, which opens the set, was still running at the time and, indeed, starting to attract attention with the length of its run at the Sullivan Street Playhouse, which ultimately stretched out to 41 years). More of Disc Two is given over to film music — with a few detours into Stephen Sondheim territory, among other theatrical repertory — and will probably be more accessible to listeners. It also closes out with the main themes from Jaws and Star Wars by John Williams (Fiedler's successor leading the Pops). These were also among the last recordings that Fiedler did. The set is well-annotated and the entire production is first-rate.