Girl on a Bicycle (Original Motion Picture Soundtrack)
Download links and information about Girl on a Bicycle (Original Motion Picture Soundtrack) by Craig Richey. This album was released in 2014 and it belongs to Theatre/Soundtrack genres. It contains 26 tracks with total duration of 40:29 minutes.
![]() |
|
---|---|
Artist: | Craig Richey |
Release date: | 2014 |
Genre: | Theatre/Soundtrack |
Tracks: | 26 |
Duration: | 40:29 |
Buy it NOW at: | |
Buy on iTunes $9.99 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | It Just Takes a Moment | 1:50 |
2. | Meet Paolo | 0:49 |
3. | The Proposal | 1:54 |
4. | Speak to Me in Italian, Greta's Ring | 3:31 |
5. | Girl on a Bicycle | 0:51 |
6. | The Girl by the Louvre | 1:00 |
7. | The Apparition Tango | 0:29 |
8. | Play with Me | 1:51 |
9. | Last Stop Paris | 1:45 |
10. | Paolo Chases Cecile | 2:21 |
11. | Paolo Cooks Spaghetti | 1:47 |
12. | Killing the Dragon | 1:14 |
13. | Bra & Panties | 1:01 |
14. | Numero De Telephone | 0:51 |
15. | Interrupted Sex | 1:01 |
16. | Riding Around the Fountain | 0:58 |
17. | French Pastry | 1:16 |
18. | Girl on a Motorbike | 0:57 |
19. | Derek & Cecile Speak French | 0:56 |
20. | Greta the Spy | 1:28 |
21. | Pulling Derek's Leg, Derek Plays Sick | 1:32 |
22. | The Breakup | 1:23 |
23. | Francois Expounds About Love | 2:15 |
24. | Confession and the Lady Dragon | 3:59 |
25. | Welcome to Milan! | 1:44 |
26. | The Wedding, The End, Or Is It? | 1:46 |
Details
[Edit]The breezy Parisian farce Girl on a Bicycle by writer/director/clinical psychologist Jeremy Leven finds an Italian tour bus driver caught up in a romantic triangle as unlikely as Leven’s professional pedigree. It’s also an accomplished showcase for the bright, playful charms of Juilliard-trained film composer Craig Richey, who’s quick to credit the director for giving him a challenge “before I had even written a single note—and that was that he wanted the music to be another character in the film. He did not want the music to go unnoticed as backdrop.” That sense of musical empowerment can be felt throughout, from the buoyant opening pop ballad “It Only Takes a Moment” (performed by Richey and vocalist Kari Kimmel, and the breezier “Play with Me”) through a tapestry of chamber orchestra set pieces that more than rise to Leven’s brief. While the score's sensibilities and colors (with Richey’s elegant piano lines, wordless harmonic vocal melodies, and melancholy solo whistling) occasionally echo the glories of LeGrand and Morricone past, it’s the composer shrewdly using them as familiar touchstones that helps spin his own delightful take on Continental romantic comedy.