Send In the Patient
Download links and information about Send In the Patient by Early B. This album was released in 1999 and it belongs to Reggae, Dancehall, World Music genres. It contains 15 tracks with total duration of 52:34 minutes.
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Artist: | Early B |
Release date: | 1999 |
Genre: | Reggae, Dancehall, World Music |
Tracks: | 15 |
Duration: | 52:34 |
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Tracks
[Edit]No. | Title | Length |
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1. | Send In the Patient (Original) | 3:59 |
2. | History of Jamaica (Original) | 3:17 |
3. | Girls Dem Sexy (Original) | 3:38 |
4. | Can Man a Feh Bathe (Original) | 3:28 |
5. | New York Party (Original) | 3:41 |
6. | Hot Up Bout Ya (Original) | 2:28 |
7. | Call the Doctor for Me (Original) | 4:00 |
8. | Learn Fi Drive (Original) | 4:12 |
9. | Four Wheel No Real (Original) | 3:54 |
10. | Take Up Your Bible (Original) | 3:24 |
11. | Visit of King Selassie (Original) | 3:28 |
12. | Just Love and Unity (Original) | 3:38 |
13. | Sunday Dish (Original) | 3:00 |
14. | Poor Class Want Mass (Original) | 3:19 |
15. | Pedestrian (Original) | 3:08 |
Details
[Edit]At the dawn of the dancehall era in the early ‘80s, DJs like Toyan, Yellowman, and Eek-a-Mouse wowed listeners with their sometimes ribald, sometimes boastful, but always rapid-fire microphone techniques. On the other hand, Early B delivered his lyrics at a more deliberate pace. He was something of a storyteller, crafting long, intricate narratives that could spread out over the course of several songs. On “History of Jamaica,” he relates an irreverent and decidedly anti-colonial tale of Jamaica’s historical travails that spans from the 15th century to the present. Elsewhere, Early B takes on subjects like Kingston’s congested streets (“Four Wheel No Real” and “Pedestrian”), Haile Selassie’s 1966 visit to Jamaica (“Visit of King Selassie”), and the plight of Jamaican factory workers (“Poor Class Want Mass”). On all of these selections, which are drawn from the handful of full-lengths that Early B recorded with producer Jah Thomas in the mid-‘80s, Early B is backed by The Roots Radics, whose spare, drum and bass–laden performances give this set considerable rhythmic heft.