Waxed Oop
Download links and information about Waxed Oop by Fast 'n' Bulbous: The Captain Beefheart Project. This album was released in 2009 and it belongs to Rock genres. It contains 13 tracks with total duration of 52:15 minutes.
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Artist: | Fast 'n' Bulbous: The Captain Beefheart Project |
Release date: | 2009 |
Genre: | Rock |
Tracks: | 13 |
Duration: | 52:15 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Sure 'Nuff 'n' Yes I Do | 2:21 |
2. | Trust Us | 7:03 |
3. | Smithsonian Institute Blues | 3:02 |
4. | Dropout Boogie | 3:43 |
5. | You Know You're a Man | 4:32 |
6. | Well | 4:43 |
7. | Ice Rose | 4:11 |
8. | Click Clack / Ice Cream for Crow | 4:14 |
9. | Woe-is-uh-Me-Bop | 4:11 |
10. | The Blimp | 1:40 |
11. | The Past Sure is Tense | 4:43 |
12. | Blabber 'n' Smoke | 4:00 |
13. | China Pig (Bonus Track) | 3:52 |
Details
[Edit]Fast 'n' Bulbous' second album serves up another set of Captain Beefheart covers, this tribute given more weight than most such projects owing to the presence of guitarist Gary Lucas, who actually played in Beefheart's band in the early '80s. Almost wholly instrumental, the material tackled spans the Captain's entire career, from Safe as Milk's "Sure 'Nuff 'n' Yes I Do" to "Ice Cream for Crow." Those tracks and a few others (like "The Blimp") might qualify among Beefheart's better-known songs — if any of Beefheart's songs could classified as well-known, that is. But the tunes selected cover a pretty wide gamut of Beefheart material, relatively familiar and quite obscure, bluesy and far-out. The approach ranges from almost Delta-quality country blues ("Sure 'Nuff 'n' Yes I Do") to almost free jazz, with echoes of big-band jazz, hard rock ("Dropout Boogie" almost sounds like "You Really Got Me" given a horn rock arrangement in parts), and near-cacophonous weirdness; there's no way to make "The Blimp" anything like a normal song, for instance. The band plays the material with verve and wit, and while it's not necessarily an essential addition to the serious Beefheart fan's collection, the light playfulness in many of the interpretations (and the absence of Beefheart's sometimes grating vocals) might actually make these compositions more accessible to some listeners than the original Beefheart recordings are. Robyn Hitchcock takes guest vocals on the live acoustic blues "China Pig," wisely placed at the end and marked as a bonus track, as it's of inferior fidelity to the rest of the CD.