Masters of the Last Century: Best of Freddy Fender
Download links and information about Masters of the Last Century: Best of Freddy Fender by Freddy Fender. This album was released in 1999 and it belongs to Rock, Rock & Roll, Country, Pop genres. It contains 9 tracks with total duration of 29:04 minutes.
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Artist: | Freddy Fender |
Release date: | 1999 |
Genre: | Rock, Rock & Roll, Country, Pop |
Tracks: | 9 |
Duration: | 29:04 |
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Tracks
[Edit]No. | Title | Length |
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1. | Love Light Is an Ember | 3:57 |
2. | Once in a While | 3:32 |
3. | Red Sails In the Sunset | 2:46 |
4. | What Will I Tell My Heart | 3:20 |
5. | Wichita Lineman | 3:32 |
6. | Blue Monday | 2:19 |
7. | Don't Let the Sun Catch You Crying | 3:23 |
8. | I Just Call To Say I Love You | 3:59 |
9. | Just Because | 2:16 |
Details
[Edit]After serving time in Louisiana's Angola Prison on a trumped-up marijuana charge, Freddy Fender hit his stride with a spate of recordings for Cajun producer Huey P. Meaux, molder of hits for the Sir Douglas Quintet, Barbara Lynn, Roy Head, and others.
Although he had recorded rock & roll for Imperial Records and Spanish-language versions of rock hits for Falcon Records in McAllen, TX (and the absence of those marvelous sides brings our rating for this set down a point), Fender found the right fit with Meaux's stripped-down approach. The dual-language version of his biggest hit, "Before the Next Teardrop Falls," kicks things off, with "Vaya Con Dios," "Wasted Days and Wasted Nights," and a country version of the Who's "Squeeze Box" also being counted up in the hits category. But this 16-tracker also features the swamp pop that Meaux could produce so well, and tracks like "Just a Moment of Your Time," "Breaking Up Is Hard to Do," and a re-cut of "Oh Holy One" (a regional hit for him back in his Imperial rocker days) shine as brightly as the hits.
There's also strong R&B along with the country-oriented sides, with covers of Johnny Ace's "The Clock," Otis Redding's "These Arms of Mine," and a duet with Tommy McLain on Buster Brown's "Fannie Mae" being three more highlights of the set. Freddy Fender may have been an unlikely country star, but these are sides with a strong identity and a wonderful reminder of what great crossover music can accomplish in the marketplace.