Live At Athenaeum Jazz, Vol. 2 (Live)
Download links and information about Live At Athenaeum Jazz, Vol. 2 (Live) by Mike Wofford, Holly Hofmann. This album was released in 2007 and it belongs to Jazz genres. It contains 10 tracks with total duration of 53:57 minutes.
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Artist: | Mike Wofford, Holly Hofmann |
Release date: | 2007 |
Genre: | Jazz |
Tracks: | 10 |
Duration: | 53:57 |
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Tracks
[Edit]No. | Title | Length |
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1. | More Than You Know (featuring Mike Wofford Duo) | 7:16 |
2. | Floof (featuring Mike Wofford Duo) | 6:16 |
3. | Introspection / Eronel (featuring Mike Wofford Duo) | 5:19 |
4. | No Mercy (featuring Mike Wofford Duo) | 5:31 |
5. | Twelve (featuring Mike Wofford Duo) | 4:41 |
6. | Free Day (For Samuel Barber) (featuring Mike Wofford Duo) | 4:27 |
7. | Out of This World (featuring Mike Wofford Duo) | 5:02 |
8. | If I Should Lose You (featuring Mike Wofford Duo) | 6:08 |
9. | Presentimiento (featuring Mike Wofford Duo) | 4:31 |
10. | Exactly Like You (featuring Mike Wofford Duo) | 4:46 |
Details
[Edit]A number of jazz spouses have worked together on record dates over the decades, though it is still a relatively infrequent occurrence. But flutist Holly Hofmann, a perennial critic's favorite, found a true soul mate in pianist Mike Wofford, as they demonstrate throughout this enjoyable duo concert recorded at the Athenaeum Music & Arts Library in southern California. On this occasion, Hofmann makes her recorded debut playing alto flute on three selections, a reflective "More Than You Know," a risk-taking romp through two infrequently performed Thelonious Monk works ("Intropection" and "Eronel"), and a driving take of the standard "If I Should Lose You" that has a humorous air. Hofmann contributed two originals: "Free Day" is a haunting melody inspired by a fragment from American classical composer Samuel Barber's Adagio for Strings, while "Presentimiento" is a dark, sensuous bossa nova. Wofford wrote the quirky "Floof" for his wife, a demanding chart that is full of sudden twists and turns. Pete Malinverni's "Twelve," full of the playful dissonance and unexpected chords heard in the music of the late Herbie Nichols, is negotiated flawlessly by both Hofmann and Wofford. This intimate concert was recorded acoustically without amplification on the flutes, giving the listener an unforgettable experience similar to those who were able to attend this memorable evening of jazz.