No. |
Title |
Length |
1. |
Ikhtitaf Fi Assaraya (After The " Overture " From " Die Entführung Aus Dem Serail, K. 384 ") |
6:40 |
2. |
O'stravaganza (After Vivaldi's Sinfonia, RV 168) (featuring Le Orfanelle Della Pieta) |
3:45 |
3. |
Al Sahm Al Taéh (After Mozart's " Soave Sia Il Vento " From Così Fan Tutte, K. 588) |
4:58 |
4. |
Sankanda (Traditionnel Arr. P Akendengué) (featuring Tomás Gubitsch / Tomas Gubitsch) |
5:08 |
5. |
Concerto For Oud & Piano No. 23 (After The " Adagio " From Mozart's " Piano Concerto No. 23 In A Major, K. 488 ") |
7:24 |
6. |
A Chlàrsioch (After Vivaldi's In Furore Iustissimae Irae, RV 626) (featuring Le Orfanelle Della Pieta) |
6:21 |
7. |
Ya Shady Symphony (After Mozart's Symphony No. 40, K. 550) |
5:42 |
8. |
Pepa Nzac Gnon Ma (Traditionnel Arr. P. Akendengué): Prélude De La Partitia Pour Violon No3 (featuring Tomás Gubitsch / Tomas Gubitsch) |
4:24 |
9. |
Yaman Hawa (After The " Overture " From " Thamos, König In Aegypten, K. 345 ") |
4:48 |
10. |
Ceol Cuàine (Dances Of The Wolves) (featuring Le Orfanelle Della Pieta) |
4:20 |
11. |
La Reine Des Mille Et Une Nuits (After Mozart's The Magic Flute, K. 620) (featuring Une Nuits) |
3:37 |
12. |
Cantate 147 (featuring Tomás Gubitsch / Tomas Gubitsch) |
0:13 |
13. |
Symphonie Egyptienne (After Mozart's " Symphony No. 25 In G Minor, K. 183 / 173dB ") |
6:42 |
14. |
Eirin Sonata (After Vivaldi's Cello Concerto, RV 407) (featuring Le Orfanelle Della Pieta) |
5:31 |
15. |
Layla Misriya (After Mozart's Serenade No. 13, K. 525 " A Little Night Music ") |
5:22 |
16. |
Mayingo (Traditionnel Arr. P. Akendengue): Fugue Sur Mayingo (T. Gubitsch) (featuring Tomás Gubitsch / Tomas Gubitsch) |
2:12 |
17. |
Mahdiyat (After Bernhard Flies's " Wiegenlied ", Attributed To Mozart As " K. 350 ") |
2:10 |
18. |
Estro-Reel (After Vivaldi's Violin Concerto, Op. 3 No. 3, RV 310) (featuring Le Orfanelle Della Pieta) |
2:52 |
19. |
La Querelle Au Sérail (After Mozart's " Marten Aller Arten " From The Abduction From The Seraglio, K. 384) |
7:25 |
20. |
Was Mir Behagt, Ist Nur Die Muntre Jagd (Chorus " La Chasse " - J. S. Bach Arr. P. Akendengué Et H. De Courson) (featuring Tomás Gubitsch / Tomas Gubitsch) |
3:03 |
21. |
Hamilu Lhawa Tahibou (After Papageno's Aria, No. 20, From Mozart's " Magic Flute, K. 620 ") |
3:25 |
22. |
Damhsaigh (After Vivaldi's Lute Concerto, RV 93) (featuring Le Orfanelle Della Pieta) |
3:12 |
23. |
Marche Égyptienne (After Mozart's Piano Sonata, K. 331 " Alla Turca ") |
3:27 |
24. |
Agnus Dei (Messe En Si BWV 232 - Arr. P. Akendengué) (featuring Tomás Gubitsch / Tomas Gubitsch) |
5:07 |
25. |
Double Quartet In E-Flat Major (After Mozart's " 6 Variations, K. 360 / 374b ") |
7:24 |
26. |
Il Sonno (After Vivaldi's Flute Concerto, RV 439 " La Notte " And Concerto For Two Violins, Op. 3 No. 2, RV 578) (featuring Le Orfanelle Della Pieta) |
4:11 |
27. |
Al Bedaya |
1:48 |
28. |
Inongo (Traditionnel Arr. P. Akendengué Et H. De Courson): Invention À Trois Voix No3 En Ré Majeur BWV 789 (featuring Tomás Gubitsch / Tomas Gubitsch) |
5:41 |
29. |
Double Quartet In F Major (After Mozart's " Piano Trio No. 2 In G Major, K. 496 ") |
5:32 |
30. |
La Ciaconna Rossa (featuring Le Orfanelle Della Pieta) |
3:58 |