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I'm Going Where the Water Drinks Like Wine (18 Unsung Bluesmen) [Rarities 1923-29]

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Download links and information about I'm Going Where the Water Drinks Like Wine (18 Unsung Bluesmen) [Rarities 1923-29]. This album was released in 2010 and it belongs to Blues, Jazz genres. It contains 24 tracks with total duration of 01:13:55 minutes.

Release date: 2010
Genre: Blues, Jazz
Tracks: 24
Duration: 01:13:55
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Tracks

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No. Title Length
1. Guitar Blues (Sylvester Weaver) 3:06
2. Why Do You Moan? (Bo Weavil Jackson) 3:11
3. James Alley Blues (Jagger - Richards) 3:08
4. K.c. Railroad Blues (Andrew Baxter) 3:28
5. Traveling Coon (Luke Jordan) 3:14
6. Pick Poor Robin Clean (Luke Jordan) 3:16
7. Workin' On the Railroad (Buddy Boy Hawkins) 2:31
8. Yellow Woman Blues (Buddy Boy Hawkins) 2:35
9. The Fore Day Blues (Ishman Bracey) 3:23
10. No Job Blues (Willard Ramblin' Thomas) 3:11
11. Down South Blues (Arthur Pettis) 3:13
12. Out On Santa-Fe Blues (Arthur Pettis) 3:11
13. Mississippi Jailhouse Groan (Rube Lacy) 3:21
14. Ham Hound Crave (Rube Lacy) 2:53
15. Labor Blues (Tom Dickson) 3:00
16. Low-down Mississippi Bottom Man (Freddie Spruell) 3:25
17. Blue Goose Blues (Jesse) 2:35
18. Bad Luck Moan (Willie Baker) 3:04
19. Sweet Patunia Blues (Willie Baker) 3:15
20. Mississippi Bottom Blues (Kid Bailey) 2:48
21. Rowdy Blues (Kid Bailey) 2:59
22. Nehi Blues (Willie Blind Joe Reynolds) 3:14
23. Poor Man Blues (Henry Townsend) 3:01
24. Devil In the Woodpile (Noah Lewis) 2:53

Details

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For better or worse, the history of prewar American music has been powerfully influenced by academics and collectors. Figures such as Robert Johnson and Skip James, who received little recognition from their contemporaries, had their legendary reputations imposed on them retroactively by '60s-era critics, while once-popular performers like Peetie Wheetstraw and Sylvester Weaver fell into comparative obscurity. Sub Rosa’s I’m Going Where the Water Drinks Like Wine is a compilation of prewar blues that seeks to correct this critical imbalance. Though history may have marginalized these musicians, there's nothing marginal about their talents. Weaver, whose “Guitar Blues” opens this set, was the first recording artist to adapt Hawaiian slide guitar tunings and techniques to blues music. The other artists featured here were similarly innovative stylists, particularly Virginia guitarist Luke Jordan, who demonstrates an intricate fingerpicking style on “Pick Poor Robin Clean," and Rube Lacey, whose spectral “Mississippi Jailhouse Groan” is a small masterpiece in its own right.