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Locus Solus

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Download links and information about Locus Solus by John Zorn. This album was released in 1983 and it belongs to Jazz, Avant Garde Jazz, Avant Garde Metal, Alternative, Classical genres. It contains 38 tracks with total duration of 01:08:35 minutes.

Artist: John Zorn
Release date: 1983
Genre: Jazz, Avant Garde Jazz, Avant Garde Metal, Alternative, Classical
Tracks: 38
Duration: 01:08:35
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Tracks

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No. Title Length
1. Bass and the Treble 2:57
2. The Acquisition & Control of Fire 1:33
3. Honey-Cab 2:33
4. Switch 2:15
5. Juan Talks It Out of His System 2:11
6. The Wish 2:02
7. A Case Arose 2:00
8. The Elf 1:41
9. Getting Curly 1:51
10. Don't Switch 1:50
11. Smooth Cheeks of a Big Ego 1:51
12. Add Water 2:15
13. Cold 1:31
14. Friar T. 0:58
15. Too Me 2:16
16. You Rang? (Live) 1:17
17. Self-Satisfied (Live) 1:22
18. Agora (Live) 1:10
19. Dot Dot, Dot (Live) 1:14
20. Moi Non Plus (Live) 1:43
21. Liver (Live) 1:49
22. The Footman's Eyes Get Crossed (Live) 1:04
23. Heike Cipher Mystery 1:47
24. Jedi Mind Trick 1:06
25. Mysterious Island 2:11
26. You Only Live Twice, Mr. Bond 1:59
27. When Arrows Meet 1:38
28. Never Say Never Again 1:45
29. Sign of the Four 2:13
30. Locus Solus, Pts. 1 & 2 2:11
31. Where Are My Victims? 2:06
32. Disco Volante 2:06
33. Kaiser In Borneo 1:48
34. The Saint 1:40
35. The Violent Death of Dutch Schultz 1:23
36. Thunderball 1:43
37. White Zombie 1:30
38. The Slaves of Vesuvius 2:06

Details

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This captures over an hour's worth of John Zorn's search for the improvised song form. Several lineups from 1983 are documented here. The first eight tracks feature Zorn with Christian Marclay spinning and Peter Blegvad speaking. The text is unremarkable (for example, Honey-Cab's "...tell her everything I know/ In ink as black as carbon/ On paper white as snow"), but Blegvad's sonorous delivery works well with the chaos that the other two musicians spit and spin out, combining into tides of noisy mischief. Tracks 9-15 find Zorn with Arto Lindsay providing lyrics and guitar, and Anton Fier on drums. Zorn squawks and spurts an array of sounds, from birdcall to babydoll. M.E. Miller replaces Fier on drums for the next set, which features a driving rock beat. This is followed by eight pieces from Zorn, Wayne Horvitz, and Ikue Mori. The final fifth of the album captures the walloping interplay of Zorn, Miller, and turntablist Whiz Kid. Overall, an album of short, angular, experimental energy tracks.