High Flying Bird
Download links and information about High Flying Bird by Judy Henske. This album was released in 1964 and it belongs to Blues, Jazz, Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic, Contemporary Folk genres. It contains 13 tracks with total duration of 32:36 minutes.
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Artist: | Judy Henske |
Release date: | 1964 |
Genre: | Blues, Jazz, Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic, Contemporary Folk |
Tracks: | 13 |
Duration: | 32:36 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | High Flying Bird | 2:58 |
2. | Buckeye Jim | 2:55 |
3. | Till the Real Thing Comes Along | 3:07 |
4. | Oh, You Engineer | 2:30 |
5. | Baltimore Oriole | 2:24 |
6. | Columbus Stockade | 1:59 |
7. | Blues Chase Up a Rabbit | 2:39 |
8. | Lonley Train | 2:35 |
9. | Duncan & Brady | 1:53 |
10. | God Bless the Child | 3:21 |
11. | Good Old Wagon | 2:19 |
12. | You Are Not My First Love | 2:04 |
13. | Charlotte Town | 1:52 |
Details
[Edit]High Flying Bird (1964) marks the peak of Judy Henske’s career in folk music. Her gutsy vocal style — suggestive of Dave Van Ronk crossed with Janis Joplin — is reined in just enough here to catch the subtleties of the album’s well-chosen cache of tunes. The breadth of Henske’s reach is little short of amazing — she embraces everything from elegant torch songs (“Till The Real Thing Comes Along”) to evocative blues numbers (“Blues Chase Up A Rabbit”) and full-throttle Western ballads (“Lonely Train”). Her trademark wry humor lends extra spice to the hard-charging “Charlotte Town” and the bawdy “Oh, You Engineer” (co-written by Henske with the legendary Shel Silverstein). If that weren’t enough, she helps pioneer the folk-rock genre with her saucy take on “Duncan & Brady” and her absolutely riveting rendition of the title song. Even at her most brash, there’s a tenderness and open-hearted quality to her treatment of these tunes. Judy’s backup combo — particularly 12-string guitarist John Forsha — spur her on with dagger-sharp playing. High Flying Bird remains a neglected mid-‘60s classic, a testament to Henske’s uniquely prodigious talents.