On Broadway, Vol. 4: The Paradox of Continuity
Download links and information about On Broadway, Vol. 4: The Paradox of Continuity by THE ONE, Paul Motian. This album was released in 2006 and it belongs to Jazz, Contemporary Jazz genres. It contains 13 tracks with total duration of 01:06:01 minutes.
|
|
|---|---|
| Artist: | THE ONE, Paul Motian |
| Release date: | 2006 |
| Genre: | Jazz, Contemporary Jazz |
| Tracks: | 13 |
| Duration: | 01:06:01 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | The Last Dance | 5:13 |
| 2. | Tea for Two (From "No, No, Nanette") | 4:07 |
| 3. | In a Shanty in Old Shanty Town | 3:08 |
| 4. | Never Let Me Go (From "the Scarlet Hour") [1] | 7:08 |
| 5. | Never Let Me Go (From "the Scarlet Hour") [2] | 4:57 |
| 6. | The Folks Who Live on the Hill (From "High, Wide and Handsome") | 4:56 |
| 7. | Everything Happens to Me | 3:58 |
| 8. | Last Night When We Were Young | 8:05 |
| 9. | Born To Be Blue | 5:37 |
| 10. | Brother Can You Spare a Dime | 2:45 |
| 11. | Porgy and Bess: I Loves You, Porgy | 8:11 |
| 12. | You're Getting to Be a Habit with Me | 3:53 |
| 13. | How Long Has This Been Going On? (From "Rosalie") | 4:03 |
Details
[Edit]Legendary for his long term associations with Bill Evans, Keith Jarrett, and other icons from across the traditional jazz and fusion landscape, Paul Motian celebrated his 75th birthday in 2006 with a return (after a 13-year hiatus) to a cool concept he succeeded with three times before: unique and thoughtful approaches to songs made famous on Broadway. On the first three installments of the series (which began in 1988), he worked with the powerful trio of saxman Joe Lovano, bassist Charlie Haden, and Bill Frisell, but interestingly enough, his all-new lineup (including Chris Potter on sax, Larry Grenadier on bass, and Masabumi Kikuchi on piano) doesn't feature the guitar, which was one of the most appealing elements of the earlier trilogy. Nonetheless, these are thoughtful, sparse arrangements of songs that range from some everyone knows (including a very ambient, spacious arrangement of "I Loves You Porgy" and a sensual vocal version — sung by Rebecca Martin — of "How Long Has This Been Going On") to others whose show tunes origins may have been forgotten. Martin's smoky voice and Potter's wide range of emotional sax tones are the highlights of this low-key, sensual affair.