Wolf Hall: Tudor Music (Music from the Original TV Miniseries)
Download links and information about Wolf Hall: Tudor Music (Music from the Original TV Miniseries) by Phil Hopkins, Claire Van Kampen. This album was released in 2015 and it belongs to World Music, Theatre/Soundtrack, Classical genres. It contains 20 tracks with total duration of 34:48 minutes.
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Artist: | Phil Hopkins, Claire Van Kampen |
Release date: | 2015 |
Genre: | World Music, Theatre/Soundtrack, Classical |
Tracks: | 20 |
Duration: | 34:48 |
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Tracks
[Edit]No. | Title | Length |
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1. | Trumpet Parley (A New Beginning) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 0:11 |
2. | My Lady Carey's Dompe (Court Masque) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 2:53 |
3. | Hoboekendans (Cromwell at York Place) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 2:04 |
4. | Ah, Robyn (Smeaton, Anne's Lutenist) [Arr. Claire van Kampen] (featuring Jacob Heringman) | 2:19 |
5. | Scaramella (Cromwell Is Happy) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 1:04 |
6. | Romanesca (A Play About Wolsey's Fall) [Arr. Claire van Kampen] (featuring Carole Cerasi) | 2:53 |
7. | Alas, What Should I Do (Henry Sings of Anne) [Arr. Claire van Kampen] (featuring Jacob Heringman) | 0:44 |
8. | Bassadansa (The Feast at Calais) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 1:29 |
9. | Browning (Anne's Music) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 2:19 |
10. | Fanfare No. 1 (Anne's Coronation) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 0:32 |
11. | En vray amour (The Coronation Feast) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 1:09 |
12. | Tandernaken (Anne and Henry's Court) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 2:24 |
13. | My Lady Carey's Dompe (The Baby Princess) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 3:02 |
14. | Helas Madame (Thomas More) [Arr. Claire van Kampen] (featuring William Lyons) | 0:43 |
15. | Hoboekendans (Christmas) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 1:29 |
16. | Ce qui souloit (Court Masque) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 1:50 |
17. | Tourdion (Henry at Greenwich) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 3:11 |
18. | Whereto Should I (Henry Sings of Jane) [Arr. Claire van Kampen] (featuring Jacob Heringman) | 0:44 |
19. | Chiaranzana (Anne's Last Supper) [Arr. Claire van Kampen] (featuring Musicians Of Shakespeare's Globe) | 3:01 |
20. | Green Grows the Holly (Henry Embraces Cromwell) [Arr. Claire van Kampen] | 0:47 |
Details
[Edit]The BBC television miniseries Wolf Hall, based on the stories of Henry VIII and Thomas Cromwell via the Booker Prize-winning novels of Hilary Mantel, has been successful on both sides of the Atlantic, and part of the reason is its musical score. The music has two components, a contemporary original score by Debbie Wiseman and a group of Tudor-era pieces, more or less closely keyed to the action, researched and arranged by Claire van Kampen. It is only the latter you get here, and the way the two scores work together is part of the appeal. However, van Kampen's accomplishment is considerable in itself: she has discarded the official coded language of Renaissance music going back through decades of British film music in favor of the real thing, and to see this done, and see it work, is a marvelous thing. Van Kampen is a music director at Shakespeare's Globe Theatre, and she has a knack for joining music and action. The graphics do not tell you what the music is. Renaissance music fans will recognize many as the familiar English, French, and Netherlandish dances that formed the center of the English court repertory, and there is one tune ("Alas What Should I Do," track seven) apparently composed by Henry himself. But the album is not aimed at people already familiar with Renaissance music, but at people who've never heard the real thing, and there's a case to be made for not cluttering things up with a lot of unfamiliar names. One could quibble with some of van Kampen's ensemble choices, but nothing is much distorted from state-of-the-art practice. A nice item for anyone who has enjoyed the series or is just looking for an enjoyable half hour of Renaissance dance music: the disc is short, and there was room for more music, either Wiseman's or not.