No. |
Title |
Length |
1. |
Les Noces, Première partie, Premier tableau: Chez la mariée (featuring Carolyn Sampson, Maxim Mikhaylov, Vsevolod Grivnov, Ensemble MusikFabrik, Susan Parry) |
5:09 |
2. |
Les Noces, Première partie, Premier tableau: Chez le marié (featuring Carolyn Sampson, Maxim Mikhaylov, Vsevolod Grivnov, Ensemble MusikFabrik, Susan Parry) |
5:45 |
3. |
Les Noces, Première partie, Premier tableau: Le départ de la mariée (featuring Carolyn Sampson, Maxim Mikhaylov, Vsevolod Grivnov, Ensemble MusikFabrik, Susan Parry) |
3:00 |
4. |
Les Noces, Deuxième partie, Quatrième tableau: Le repas de noces (featuring Carolyn Sampson, Maxim Mikhaylov, Vsevolod Grivnov, Ensemble MusikFabrik, Susan Parry) |
10:44 |
5. |
Messe: I. Kyrie (featuring Ensemble MusikFabrik) |
2:29 |
6. |
Messe: II. Gloria (featuring Ensemble MusikFabrik) |
3:43 |
7. |
Messe: III. Credo (featuring Ensemble MusikFabrik) |
4:27 |
8. |
Messe: IV. Sanctus (featuring Ensemble MusikFabrik) |
3:39 |
9. |
Messe: V. Agnus Dei (featuring Ensemble MusikFabrik) |
3:26 |
10. |
Cantate: I. A lyke-wake dirge. Versus 1. Prelude "This ae nighte" (featuring Carolyn Sampson, Jan Kobow, Ensemble MusikFabrik) |
1:43 |
11. |
Cantate: II. Ricercar I "The maidens came" (featuring Carolyn Sampson, Jan Kobow, Ensemble MusikFabrik) |
3:50 |
12. |
Cantate: III. A lyke-wake dirge. Versus 2 "If ever you gav'st hos'n and shoon" (featuring Carolyn Sampson, Jan Kobow, Ensemble MusikFabrik) |
1:42 |
13. |
Cantate: IV. Ricercar II. Sacred History "To-morrow shall be my dancing day" (featuring Carolyn Sampson, Jan Kobow, Ensemble MusikFabrik) |
10:36 |
14. |
Cantate: V. A lyke-wake dirge. Versus 3. Second interlude "From Whinnymuir when thou may'st pass" (featuring Carolyn Sampson, Jan Kobow, Ensemble MusikFabrik) |
1:40 |
15. |
Cantate: VI. Westron Wind (featuring Carolyn Sampson, Jan Kobow, Ensemble MusikFabrik) |
2:05 |
16. |
Cantate: VII. A lyke-wake dirge. Versus 4. Postlude "If ever thou gav'st meat or drink" (featuring Carolyn Sampson, Jan Kobow, Ensemble MusikFabrik) |
2:20 |