Re: ECM
Download links and information about Re: ECM by Ricardo Villalobos, Max Loderbauer. This album was released in 2011 and it belongs to Ambient, Electronica, Techno, Jazz, Rock, Dancefloor, Dance Pop genres. It contains 17 tracks with total duration of 02:14:26 minutes.
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| Artist: | Ricardo Villalobos, Max Loderbauer |
| Release date: | 2011 |
| Genre: | Ambient, Electronica, Techno, Jazz, Rock, Dancefloor, Dance Pop |
| Tracks: | 17 |
| Duration: | 02:14:26 |
| Buy it NOW at: | |
| Buy on iTunes $24.99 | |
| Buy on Amazon $21.99 | |
| Buy on Songswave €1.89 | |
| Buy on Songswave €1.89 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Reblop | 8:19 |
| 2. | Recat | 7:15 |
| 3. | Resvete | 11:40 |
| 4. | Retimeless (featuring Cassy) | 4:28 |
| 5. | Reemergence | 9:49 |
| 6. | Reblazhenstva | 7:40 |
| 7. | Reannounce | 6:35 |
| 8. | Recurrence | 7:19 |
| 9. | Requote | 4:06 |
| 10. | Replob | 4:22 |
| 11. | Reshadub | 10:41 |
| 12. | Rebird | 4:33 |
| 13. | Retikhiy | 6:26 |
| 14. | Rekondakion | 6:28 |
| 15. | Rensenada (featuring Achil) | 10:42 |
| 16. | Resole | 13:24 |
| 17. | Redetach | 10:39 |
Details
[Edit]Minimal techno producer/DJ Ricardo Villalobos has been known to integrate ECM albums into his legendary club sets. It should be no surprise: Villalobos has a keen ear for timbre, and the German jazz label’s releases have exquisitely nuanced sound. On 2011’s Re: ECM, Villalobos and collaborator Max Loderbauer mine ECM’s vaults for source material, and they've created atmospheric pieces that aren't simple remixes. Christian Wallumrød, John Abercrombie, Miroslav Vitous, Arvo Pärt, and Bennie Maupin are just some of artists whose work is transformed here. The original tracks can serve as interesting comparison points if you're familiar with them, but you can also just dive in and enjoy this album on its own merits. Delicate piano plinks, the soft scratch of brushes on a snare drum, sustained vocal tones, and a million other elements create pieces with characteristics of both ambient and modern composition. (The pounding thud of the dance floor is nowhere in earshot.) It’s the sort of music you can study for its rich detail or use as particularly refined background music.