|
No. |
Title |
Length |
| 1. |
Memoirs: Tartini As Example Of Vocal Writing For Instruments: Here Too We Will See |
0:32 |
| 2. |
Memoirs: Tartini As Example Of Vocal Writing For Instruments: After All The Vocal Species |
0:34 |
| 3. |
Memoirs: Tartini As Example Of Vocal Writing For Instruments: As Most Difficult Passages |
0:59 |
| 4. |
Memoirs: Importance Of Textual Considerations In Composition: And Here I Just May Take Notice |
0:39 |
| 5. |
Memoirs: Importance Of Textual Considerations In Composition: A Too Close Attachment |
0:35 |
| 6. |
Memoirs: Importance Of Textual Considerations In Composition: The English Tongue |
0:46 |
| 7. |
Memoirs: Importance Of Textual Considerations In Composition: If It Abounds With Noble Images |
0:41 |
| 8. |
Memoirs: Exceptional Nature Of Handels Choral Music: In His Chorusses He Is Without A Rival |
0:45 |
| 9. |
Memoirs: Exceptional Nature Of Handels Choral Music: It Is True That In The Admirable Epistle |
0:37 |
| 10. |
Memoirs: Exceptional Nature Of Handels Choral Music: But There Are Many Reasons |
0:34 |
| 11. |
Memoirs: Exceptional Nature Of Handels Choral Music: It Is However No Way Improbable |
0:38 |
| 12. |
Memoirs: Effects Of Handel's Oratorio Style, Messiah: As His Oratorios |
0:39 |
| 13. |
Memoirs: Effects Of Handel's Oratorio Style, Messiah: After These Vast Efforts Of Genius |
0:51 |
| 14. |
Memoirs: Effects Of Handel's Oratorio Style, Messiah: This Is Probably Owing To That Grandeur Of Conception |
0:46 |
| 15. |
Memoirs: Particular Effect Of Recitative In Expressing Religion And Humanity: His Excellence In Another Branch Of Vocal Music |
0:56 |
| 16. |
Memoirs: Duets, Trios And Acis And Galatea: The Duettos And Terzettos Were Made At Different Times |
0:40 |
| 17. |
Memoirs: Duets, Trios And Acis And Galatea: The Author Hat Only Himself To Please |
1:12 |
| 18. |
Memoirs: Duets, Trios And Acis And Galatea: It Was Not To Be Disembled |
0:46 |
| 19. |
Memoirs: Duets, Trios And Acis And Galatea: The Duetto Beginning Amiravi Mio Sono Intento |
0:47 |
| 20. |
Memoirs: Duets, Trios And Acis And Galatea: Among The Trios " Quando Non Ho Più Core " |
0:52 |
| 21. |
Memoirs: Duets, Trios And Acis And Galatea: Though The Duettos And Trios In His Operas And Oratorios |
0:51 |
| 22. |
Memoirs: Duets, Trios And Acis And Galatea: The Cantatas Now Remaining |
0:37 |
| 23. |
Memoirs: Qualities Of Instrumental Music: In His Music For Instruments |
0:40 |
| 24. |
Memoirs: Qualities Of Instrumental Music: Tho' No Man Ever Introduced Such A Number Of Instruments |
0:35 |
| 25. |
Memoirs: Keyboard Music: Harpsichord Lessons |
0:37 |
| 26. |
Memoirs: Keyboard Music: Indeed There Seems To Be More Work In That |
0:32 |
| 27. |
Memoirs: Place And Significance Of Religion And Humanity In Handel's Works |
1:11 |
| 28. |
Memoirs: Exemplary Character Of Handel's Works: The Hopes Of Rendering Some Service To Music |
0:59 |
| 29. |
Memoirs: Exemplary Character Of Handel's Works: At All Events |
0:38 |
| 30. |
Memoirs: Exemplary Character Of Handel's Works: Our Most Fashonable Music |
0:31 |
| 31. |
Handel - Memoirs 5 - 63 - Exemplary Character Of Handel's Works Such A Decay |
0:47 |
| 32. |
The Messiah, HWV 56: Pt. 2 No. 28, He Trusted In God That He Would Deliver Him (Chorus) (Live At Cathedral Of Brixen, 08 / 28 / 2009) (featuring Philipp Von Steinaecker, 08) |
2:15 |
| 33. |
The Messiah, HWV 56: Pt. 1 No. 17, Glory To God In The Highest (Chorus) (Live At Cathedral Of Brixen, 08 / 28 / 2009) (featuring Philipp Von Steinaecker, 08) |
1:56 |
| 34. |
The Messiah, HWV 56: Pt. 2 No. 43, Hallelujah! (Chorus) (Live At Cathedral Of Brixen, 08 / 28 / 2009) (featuring Philipp Von Steinaecker, 08) |
3:40 |
