Gamak
Download links and information about Gamak by Rudresh Mahanthappa. This album was released in 2013 and it belongs to Jazz genres. It contains 11 tracks with total duration of 57:55 minutes.
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Artist: | Rudresh Mahanthappa |
Release date: | 2013 |
Genre: | Jazz |
Tracks: | 11 |
Duration: | 57:55 |
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Tracks
[Edit]No. | Title | Length |
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1. | Waiting Is Forbidden (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 8:56 |
2. | Abhogi (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 7:11 |
3. | Stay I (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 2:22 |
4. | We'll Make More (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 6:06 |
5. | Are There Clouds in India? (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 5:56 |
6. | Lots of Interest (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 7:38 |
7. | F (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 2:22 |
8. | Copernicus - 19 (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 1:25 |
9. | Wrathful Wisdom (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 8:24 |
10. | Ballad for Troubled Times (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 5:52 |
11. | Majesty of the Blues (featuring David Fiuczynski, Dan Weiss, Francois Moutin) | 1:43 |
Details
[Edit]On Gamak, alto saxophonist and composer Rudresh Mahanthappa leads a quartet through 11 of his striking compositions. Electric guitarist David Fiuczynski, acoustic bassist Francois Moutin, and drummer Dan Weiss are more than up to the challenge of playing charged music that draws from both Indian and American traditions. “Waiting Is Forbidden” recalls Ornette Coleman’s electric outfits, as well as John McLaughlin’s Mahavishnu Orchestra. Fiuczynski in particular dazzles with his virtuosity and mix of timbres; the guitarist trades wild lines with Mahanthappa on “Abhogi,” a piece marked by stops and starts that will put a smile on your face. “Are There Clouds in India?” is a spacy, almost woozy cut that manages to be both mellow and discombobulated. “Ballad for Troubled Times” starts with an unaccompanied statement by Mahanthappa before the band joins; once again, Fiuczynski comes up with surprising runs. The guitar and sax playing are electrifying throughout Gamak, but pay attention to the rhythm section. Moutin and Weiss are consistently inventive, creating unusual meshes for the high-wire act of the front line.