Create account Log in

Don't Be Afraid of the Dark

[Edit]

Download links and information about Don't Be Afraid of the Dark by The Robert Cray Band. This album was released in 1988 and it belongs to Hip Hop/R&B, Soul, Blues, Rock genres. It contains 10 tracks with total duration of 41:23 minutes.

Artist: The Robert Cray Band
Release date: 1988
Genre: Hip Hop/R&B, Soul, Blues, Rock
Tracks: 10
Duration: 41:23
Buy on iTunes $4.99
Buy on Amazon $4.99
Buy on Amazon $0.99
Buy on Songswave €1.18

Tracks

[Edit]
No. Title Length
1. Don't Be Afraid of the Dark 3:46
2. Don't You Even Care 3:56
3. Your Secret's Safe With Me 4:51
4. I Can't Go Home 4:23
5. Night Patrol 4:43
6. Acting This Way 4:27
7. Gotta Change the Rules 3:22
8. Across the Line 4:06
9. At Last 3:28
10. Laugh Out Loud 4:21

Details

[Edit]

With 1986's Strong Persuader, guitarist and vocalist Robert Cray stepped to the front of the line as a smooth and intelligent practitioner of the blues genre. Strong Persuader almost worked as well as a greatest hits set, with the brilliant Willie Mitchell-influenced "I Guess I Showed Her" being best of a perfect ten. With that standard being set, Don't Be Afraid of the Dark is marred by it's lack of potent material and a tired-sounding band and Cray. The title is a steamy track punctuated by the Memphis Horns. The edgy and methodical "Don't You Even Care" finds Cray again on the losing end of a relationship. Although the relationship blues are stinging here, this album's best effort strays far from the formula. The oddly humorous "Night Patrol" has Cray playing armchair therapist wondering what went wrong with a drunk, and a 17-year-old girl on the corner. By song's end he can also wonder about himself, as he too hits the streets a potentially dangerous wandering psycho. For the most part Don't Be Afraid of the Dark has the sly work Cray is famous for. The sprite "Gotta Change Rules" the country/Memphis sound influenced has Cray doing some strong vocalizations and taut guitar riffs. "At Last" and "Laugh Out Loud," while not horrible, do come off like uninspired filler. This is one of those albums that might not be exciting at first, but if it is listened to intently some of the songs do become worthwhile.