On Impulse! / There Will Never Be Another You
Download links and information about On Impulse! / There Will Never Be Another You by The Sonny Rollins. This album was released in 2011 and it belongs to Jazz, Bop genres. It contains 10 tracks with total duration of 01:15:21 minutes.
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Artist: | The Sonny Rollins |
Release date: | 2011 |
Genre: | Jazz, Bop |
Tracks: | 10 |
Duration: | 01:15:21 |
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Tracks
[Edit]No. | Title | Length |
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1. | On Green Dolphin Street | 7:07 |
2. | Everything Happens to Me | 11:15 |
3. | Hold 'Em Joe | 5:29 |
4. | Blue Room | 3:43 |
5. | Three Little Words | 6:57 |
6. | On Green Dolphin Street (Live At the Museum of Moden Art, New York) | 7:25 |
7. | Three Little Words (Live At the Museum of Modern Art, New York) | 9:09 |
8. | Mademoiselle de Paris (Live At the Museum of Modern Art, New York) | 1:42 |
9. | To a Wild Rose (Live At the Museum of Modern Art, New York) | 6:00 |
10. | There Will Never Be Another You (Live At the Museum of Modern Art, New York) | 16:34 |
Details
[Edit]This set combines two of Sonny Rollins' LPs for Impulse Records, There Will Never Be Another You and On Impulse!, both of which were originally issued in 1965. There Will Never Be Another You featured the saxophonist playing a live set (in the rain, apparently) with pianist Tommy Flanagan, bassist Bob Cranshaw, and Billy Higgins and Mickey Roker on drums. Rollins is in fine form, playing standards including a nearly 17-minute version of the title tune. He wanders off the microphone frequently, though, which is a problem, and it makes this otherwise very nice set less than essential. On Impulse! is a much stronger outing, with Rollins turning out signature takes of “On Green Dolphin Street” (there’s also a version of “On Green Dolphin Street” on There Will Never Be Another You, and “Three Little Words” also appears in both of these set lists) and “Hold ‘Em Joe,” and three other pieces with a solid quartet featuring pianist Ray Bryant, bassist Walter Booker, and drummer Mickey Roker. Combined, these two LPs show us where Rollins was in 1965. He had a restless soul, though, and bigger and more exploratory recordings were waiting around the corner.