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Singles Collection, Vol. 1+ 2

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Download links and information about Singles Collection, Vol. 1+ 2 by Thee Oh Sees. This album was released in 2011 and it belongs to Rock, Indie Rock, Punk, Alternative genres. It contains 24 tracks with total duration of 01:12:49 minutes.

Artist: Thee Oh Sees
Release date: 2011
Genre: Rock, Indie Rock, Punk, Alternative
Tracks: 24
Duration: 01:12:49
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Carol Anne 3:30
2. Inquiry Perpetrated 2:41
3. Mincing Around the Frocks 2:27
4. Kingsmeat 5:25
5. The Freak Was Clean 3:08
6. Kids in Cars 5:23
7. Bloody Water 2:07
8. Hey Buddy (Aaron Aites Cover) 3:07
9. Comas (Aaron Aites Cover) 3:06
10. I Agree 3:13
11. Grave Blockers 2:51
12. Tidal Wave 3:49
13. Heart Sweats 2:33
14. Contraption (Demo) 3:34
15. Friends Defined 2:27
16. Blood in Your Ear (Demo) 2:39
17. Schwag Rifles 2:30
18. The Drag (Ty Segall Cover) 2:21
19. 7484 3:03
20. Castiatic Tackle (Demo) 2:55
21. She Said to Me 1:52
22. Where People Do Drugs 1:35
23. In the Shadow of Giants 3:53
24. Ichor 2:40

Details

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Not that Thee Oh Sees’ frontman John Dwyer needs to prove his prolificacy, but this generous 24-song offering might be considered the pudding wherein the proof resides. Singles Collection, Vol. 1 + 2 compiles nearly every single the San Francisco garage rockers have released, as well as a few previously unreleased tracks. “Carol Anne” opens, worshipping at the altar of Billy Childish—should you get to witness one of Thee Oh Sees’ live performances, you’ll notice Dwyer is unapologetic in appropriating Childish’s sound, style, and stance. But unlike a proper album, this compilation showcases the many other sides of Thee Oh Sees’ personality. “The Freak Was Clean” shows a band that seems to be able to write a catchy and clever song as easily as drinking water or breathing air. “Bloody Water” casts a light on Dwyer’s amazing guitar-playing skills, which is no easy feat when his preferred weapons of choice tend to be cheap Japanese pawnshop guitars from the '60s. The mellower side of his songwriting surfaces in “I Agree” and “In the Shadow of Giants.”