Can't Help Singing - A New Look at Jerome Kern Classics
Download links and information about Can't Help Singing - A New Look at Jerome Kern Classics by Voices Of Ascension Chorus, Dennis Keene, Voices Of Ascension Orchestra. This album was released in 1997 and it belongs to Gospel genres. It contains 19 tracks with total duration of 54:28 minutes.
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Artist: | Voices Of Ascension Chorus, Dennis Keene, Voices Of Ascension Orchestra |
Release date: | 1997 |
Genre: | Gospel |
Tracks: | 19 |
Duration: | 54:28 |
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Tracks
[Edit]No. | Title | Length |
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1. | High, Wide and Handsome: Can I Forget You | 2:53 |
2. | Very Warm for May: All the Things You Are | 4:17 |
3. | Roberta: I Won't Dance | 2:37 |
4. | Sweet Adeline: Don't Ever Leave Me | 2:06 |
5. | Sweet Adeline: Why Was I Born? | 2:44 |
6. | Sweet Adeline: Don't Ever Leave Me | 2:03 |
7. | Swing Time: Pick Yourself Up | 1:42 |
8. | Swing Time: A Fine Romance | 1:48 |
9. | Swing Time: The Way You Look Tonight | 3:07 |
10. | Show Boat: Make Believe | 3:26 |
11. | Can't Help Singing: Can't Help Singing | 1:50 |
12. | The Girl from Utah: They Didn't Believe Me | 3:22 |
13. | Music In the Air: The Song Is You | 2:50 |
14. | Cover Girl: Long Ago and Far Away | 4:03 |
15. | You Were Never Lovelier: I'm Old Fashioned | 3:01 |
16. | Joy of Living: You Couldn't Be Cuter | 1:45 |
17. | Show Boat: Ol' Man River | 5:04 |
18. | Roberta: Smoke Gets in Your Eyes | 2:28 |
19. | Roberta: Yesterdays | 3:22 |
Details
[Edit]Dennis Keene & the Voices of Ascension make a giant leap from the chant and Renaissance music for which they are best known in this series of choral settings of the theater and film songs of Jerome Kern. As it turns out, however, their "new look" consists mainly of drawing Kern back to their familiar style rather than making a change in their approach. The "unique choral arrangements" (as a sleeve note puts it) of Keene, James Bassi and Donald Fraser frequently render the Kern songs unrecognizable. There are exceptions: Bassi's arrangement of "I Won't Dance" conveys some of the playfulness of the Fred Astaire-Ginger Rogers original and the title song, written for the rangy talents of Deanna Durbin, works well for the chorus. But for the most part, at least in these arrangements and performances, Kern's music proves unsuited to such a staid choral approach, and this is one classical/pop hybrid attempt that doesn't work. Theater music expert Miles Kreuger's extensive annotations on the songs are irrelevant to the music contained on the disc, but at least serve to remind us of what these songs are supposed to be about.